Van Gogh lived, lives, and will live
"Man comes into the world not to be happy, but to build up and leave behind something great."
1853s
Childhood and family
Who is this?
Born March 30, 1853 in the family of Dutch reformers in Grotto Zundert, in the predominantly Catholic province of North Brabant in the south of the Netherlands. He was the oldest surviving child of Theodorus Van Gogh, minister of the Dutch Reformed Church and Anna Cornelia Carbentus. Van Gogh was given the name of his grandfather and brother, stillborn exactly in the year of his birth. Vincent was the usual name in the Van Gogh family: his grandfather Vincent (1789-1874), who received a degree in theology from the University of Leiden in 1811, had six sons, three of whom became art dealers. This Vincent may have been named after his own great-uncle, the sculptor (1729-1802).

Van Gogh's mother came from a wealthy family in The Hague, and his father was the youngest son of the minister. They met when Anna's younger sister, Cornelia, married the elder brother of Theodore Vincent. Van Gogh's parents were married in May 1851 and moved to Zundert. His brother Theo was born on May 1, 1857. There was another brother Cor and three sisters: Elizabeth, Anna and Villemina. In later life, Van Gogh remained in touch only with Villemina and Theo. Van Gogh's mother was a tough and religious woman who emphasized the importance of the family to the point of claustrophobia for others. Theodore's salary was modest, but the Church supplied the family with a house, a maid, two cooks, a gardener, a coach and a horse, and Anna instilled in children the duty to maintain the high social status of the family.

Vincent Van Gogh
1860 year

Van Gogh's mother came from a wealthy family in The Hague, and his father was the youngest son of the minister. They met when Anna's younger sister, Cornelia, married the elder brother of Theodore Vincent. Van Gogh's parents were married in May 1851 and moved to Zundert. His brother Theo was born on May 1, 1857. There was another brother Cor and three sisters: Elizabeth, Anna and Villemina. In later life, Van Gogh remained in touch only with Villemina and Theo. Van Gogh's mother was a tough and religious woman who emphasized the importance of the family to the point of claustrophobia for others. Theodore's salary was modest, but the Church supplied the family with a house, a maid, two cooks, a gardener, a coach and a horse, and Anna instilled in children the duty to maintain the high social status of the family.



At the same time, Van Gogh experienced a new love interest, falling in love with his cousin, the widow Kee Vos-Stricker, who was visiting with her son in their house. The woman rejected his feelings, but Vincent continued the courtship, which turned all his relatives against him. As a result, he was asked to leave. Van Gogh, having experienced a new shock and deciding forever to abandon attempts to arrange his personal life, went to The Hague, where he plunged into painting and began to take lessons from his distant relative, a representative of the Hague school of painting Anton Mauve. Vincent worked a lot, studied the life of the city, especially the poor neighborhoods. In order to achieve interesting and surprising colors in his works, he sometimes resorted to mixing on one canvas various writing techniques — chalk, pen, sepia, and watercolor (Backyard, 1882, pen, chalk and brush on paper, Kröller-Muller Museum, Otterlo; "Roofs. View from the Van Gogh workshop", 1882, watercolor on paper, chalk, J. Renan private collection, Paris). A great influence on the artist had a manual Charles Burg "Course of drawing". He copied all the lithographs of the manual in the years 1880/1881, and then again in 1890, but only a part of it.

Vincent with hi's brother
Theodorus

1880
Becoming an artist
Escaping from the depression caused by the events in Patyurazhe, Van Gogh again turned to painting, began to think seriously about studying, and in 1880, with the support of Brother Theo, went to Brussels, where he began to attend classes at the Royal Academy of Fine Arts. However, a year later, Vincent left school and returned to his parents. During this period of his life, he believed that the artist does not necessarily have talent, the main thing is to work hard and hard, so he continued his studies independently.


New family
In The Hague, the artist tried to start a family. This time, the pregnant street woman Christina, whom Vincent met on the street and, moved by sympathy for her position, offered to move in with him with his children, became his chosen one. This act finally quarreled the artist with his friends and relatives, but Vincent himself was happy: he had a model. However, Christine had a difficult character, and soon Van Gogh's family life turned into a nightmare.
Very soon they broke up. The artist could no longer stay in The Hague and went to the north of the Netherlands, in the province of Drenthe, where he settled in a separate hut, equipped as a workshop, and spent whole days in nature, painting landscapes. However, he was not very fond of them, not considering himself a landscape painter - many paintings from this period are devoted to the peasants, their daily work and life.
"Normality is a paved road: It's comfortable to walk, but no flowers grow on it."
1885
In the fall of 1885, Van Gogh unexpectedly left Drenthe, because a local pastor took up arms against him, forbidding the peasants to pose for the artist and accusing him of being immoral. Vincent went to Antwerp, where he began to attend painting classes again - this time in the painting class at the Academy of Arts. In the evenings, the artist attended a private school, where he painted nude models. However, in February 1886, Van Gogh left Antwerp for his brother, Theo, who was engaged in the trade in works of art.
The Parisian period of Vincent's life began, which turned out to be very fruitful and eventful. The artist visited the prestigious private art studio of the famous throughout Europe teacher Fernand Cormon, studied impressionism painting, Japanese prints, synthetic works of Paul Gauguin. During this period, Van Gogh's palette became light, the earthy hue of the paint disappeared, clean blue, golden yellow, red tones appeared, characteristic of him a dynamic, like flowing stream ("Agostina Segatori" in the Tambourine Cafe (1887–1888, Vincent Museum Van Gogh, Amsterdam), "Bridge over the Seine" (1887, Vincent van Gogh Museum, Amsterdam), "Daddy Tanguy" (1887, Rodin Museum, Paris), "View of Paris from Theo's apartment on Lepik Street" (1887, Museum Vincent van Gogh, Amsterdam). In the works there were notes of calm and peace caused by the influence of ionistov with some of them -. Henri de Toulouse-Lautrec, Camille Pissarro, Edgar Degas, Paul Gauguin, Emile Bernard - artist met shortly after his arrival in Paris thanks to his brother.
These acquaintances had the most beneficial effect on the artist: he found a kindred environment, which he appreciated, enthusiastically participated in the exhibitions of the Impressionists - in the restaurant "La Fourche", the cafe "Tambourine", then - in the lobby of the Free Theater. However, the public was horrified by the paintings of Van Gogh, which forced him to take up self-education again - to study the theory of color by Eugène Delacroix, Adolf Monticelli's textured painting, Japanese color engravings and plane Oriental art in general. The Paris period of life accounts for the largest number of paintings created by the artist - about two hundred and thirty. Among them stand out a series of still lifes and self-portraits, a series of six canvases under the general title "Shoes" (1887, Art Museum, Baltimore), landscapes. The role of man in the paintings of Van Gogh is changing - he is not at all, or he is stuffed. Air, atmosphere and rich color appear in the works, however, the artist in his own way conveyed the light-air environment and atmospheric nuances, dismembering the whole, not merging the forms and showing the "face" or "shape" of each element of the whole. A striking example of this approach is the painting "The Sea in Saint-Marie" (1888, the Pushkin State Museum of Fine Arts, Moscow). The creative search for the artist led him to the beginnings of a new artistic style - post-impressionism.

Bedroom(1889)
1882-1890
April 1994
Main works
View of the sea in Scheveningen (1882)
Potato eaters (1885)
Autumn landscape (1885)
Maki (1886)
Self-portrait in felt hat (1886-1887)
Bedroom in Arles (1887)
Fishing in spring (1887)
Couple boot (1887)
Langlois Bridge (1888)
Night Cafe (1888)
Vincent's Room, Arles (1888 )
Entrance to the public garden in Arles (1888)
Van Gogh's Chair (1888)
Bedroom in Arles (1888)
Night Cafe (1888)
Vase with twelve sunflowers (1888)
Sower (1888)Street in Auvers (1890)
Flowering almond branches (1890)
Irises (1890), Walk of Prisoners (1890)
Portrait of Dr. Gachet (1890), Wheat Field with Crows (July 1890).

"The fishermen know that the sea is dangerous and the storm terrible, but they have never found these dangers sufficient reason for remaining ashore."
— Vincent Van Gogh
"For my part I know nothing with any certainty, but the sight of the stars makes me dream."
— Vincent Van Gogh
1880-to eternity
Last years. The flowering of creativity
Despite the creative growth of Van Gogh, the public still did not perceive and did not buy his paintings, which was very painfully perceived by Vincent. By mid-February 1888, the artist decided to leave Paris and move to the south of France - to Arles, where he intended to create the "Studio of the South" - a kind of brotherhood of like-minded artists working for future generations. The most important role in the future workshop Van Gogh gave Paul Gauguin. Theo supported the initiative with money, and in the same year Vincent moved to Arles. There, the originality of his creative manner and artistic program were finally determined: "Instead of trying to accurately depict what is before my eyes, I use color more arbitrarily, so as to express myself most fully." The result of this program was an attempt to develop "a simple technique, which, apparently, would not be impressionistic." In addition, Vincent began to synthesize the pattern and color in order to more fully convey the very essence of the local nature.
Sarah Lucas' Self Portrait and "I'm Desperate" by Gillian Wearing

On the 20th of July 1890, Van Gogh painted his famous painting "Wheat Field with Crows" (Van Gogh Museum, Amsterdam), and a week later, on July 27, a tragedy occurred. Coming out for a walk with materials for drawing, the artist shot himself into the heart area from a revolver, bought to scare bird flocks while working in the open air, but the bullet passed below. Due to this, he independently reached the hotel room where he lived. The hotel owner called a doctor, who examined the wound and told Theo. The latter arrived the next day and spent with Vincent all the time, until his death, 29 hours after being injured from blood loss (at 1:30 am on July 29, 1890). In October 2011, an alternative version of the artist's death appeared. American art historians Stephen Naifeh and Gregory White Smith suggested that Van Gogh was shot down by one of the teens who regularly made him company in pubs.
According to Theo, the last words of the artist were: La tristesse durera toujours ("The sorrow will last forever"). Vincent van Gogh was buried in Auvers-sur-Oise on July 30th. In the last path of the artist escorted brother and a few friends. After the funeral, Theo took up the organization of the posthumous exhibition of works by Vincent, but fell ill with a nervous breakdown and exactly six months later, on January 25, 1891, died in Holland. 25 years later, in 1914, his remains were reburied by a widow near the grave of Vincent.


Heritage


1890-to infinity
Recognition and sale of paintings

The erroneous statement that during the life of Van Gogh only one of his paintings, "Red Vineyards in Arles", was spread. This canvas was only the first to be sold for a substantial amount (at the G20 Brussels exhibition at the end of 1889; the price for the painting was 400 francs). Documents preserved about the lifetime sale of 14 works by the artist, starting in 1882 (what Van Gogh wrote to Brother Theo: "The first sheep passed through the bridge"), and in reality more deals had to happen. Along with the works of Pablo Picasso, Van Gogh's works are some one of the first in the list of the most expensive paintings ever sold in the world, according to estimates from auctions and private sales. The number sold for more than 100 million (equivalent to 2011) includes: "Portrait of Dr. Gachet", "Portrait of the Postman Joseph Roulin" and "Irises". The painting Wheatfield with Cypresses was sold in 1993 for $ 57 million, an incredibly high price at the time, and his Self-Portrait with Ear and Tube was sold privately in the late 1990s. Estimated sales price was 80-90 million dollars. Van Gogh's painting "Portrait of Dr. Gachet" was sold at auction for $ 82.5 million. Plowed Field and Plowman auctioned off at Christie's New York auction house for $ 81.3 million.
Written by Yessengali Gabit
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