At the same time, Van Gogh experienced a new love interest, falling in love with his cousin, the widow Kee Vos-Stricker, who was visiting with her son in their house. The woman rejected his feelings, but Vincent continued the courtship, which turned all his relatives against him. As a result, he was asked to leave. Van Gogh, having experienced a new shock and deciding forever to abandon attempts to arrange his personal life, went to The Hague, where he plunged into painting and began to take lessons from his distant relative, a representative of the Hague school of painting Anton Mauve. Vincent worked a lot, studied the life of the city, especially the poor neighborhoods. In order to achieve interesting and surprising colors in his works, he sometimes resorted to mixing on one canvas various writing techniques — chalk, pen, sepia, and watercolor (Backyard, 1882, pen, chalk and brush on paper, Kröller-Muller Museum, Otterlo; "Roofs. View from the Van Gogh workshop", 1882, watercolor on paper, chalk, J. Renan private collection, Paris). A great influence on the artist had a manual Charles Burg "Course of drawing". He copied all the lithographs of the manual in the years 1880/1881, and then again in 1890, but only a part of it.